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| ISBN: | 953-225-032-8 |
| Naslov: | Zagonetka umjetnosti / priredio Damir Barbarić |
| Impresum: | Zagreb : Demetra , 2003 |
| Materijalni opis: | IX, 235 str. ; 24 cm |
| Jezik: | hrvatski |
| Nakladnička cjelina: | Demetra, Filosofska biblioteka Dimitrija Savića. Posebna izdanja |
| Napomena: | Sadržaj: Vidljivost kulture / Nadežda Čačinovič. Umjetnost kao događanje svijeta / Milan Galović. O jedinstvu i raščlambi umjetnosti / Damir Barbarić. Umjetnost u kršćanskoj kulturi / Ivan Koprek. Ideja grada i suvremena umjetnost / Andrea Zlatar. Arhitektura: vrijeme prostora / Ozren Žunec. Jezik glume / Sibila Petlevski. Istina je na pozornici / Ljiljana Filipović. Svijet bez slike / Žarko Paić. - Str. VII-VIII: Predgovor / D. Barbarić. - Bibliografske bilješke uz tekst. - Summaries ; Zusammenfassungen |
| Ključne riječi: | filozofija umjetnosti - eseji i studije * moderna umjetnost - estetika |
| Sažetak: | <Barbarić, Damir><Čačinovič-Puhovski, Nadežda><Galović, Milan><Koprek, Ivan><Zlatar, Andrea><Žunec, Ozren><Petlevski, Sibila><Filipović, Ljiljana><Paić, Žarko> |
| UDK: | 111.852:7](082) |
| Ostali autori / urednici: | Barbarić, Damir |
| Signatura: | SF 24992 |
| Inventarni broj: | 70711, 70712 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Zavoda za slavensku filologiju, http://www.knjiznice.ffzg.hr/slavfilologija |
| MFN: | 16867 |
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| ISBN: | 0-415-12821-8 |
| Autor(i): | Critchley, Simon |
| Naslov: | Very little ... almost nothing : death, philosophy, literature / Simon Critchley |
| Impresum: | London ; New York : Routledge , 1997 |
| Materijalni opis: | xi, 216 str. : ilustr. ; 24 cm |
| Jezik: | engleski |
| Nakladnička cjelina: | Warwick studies in European philosophy |
| Napomena: | TUVF. - Str. 181-205: Bibliografija. - Kazalo |
| Ključne riječi: | filozofija, moderna * književnost -- književne studije * nihilizam * smrt * Nietzsche, Friedrich * Lévinas, Emmanuel * Derrida, Jacques * Blanchot, Maurice * Cavell, Stanley * Heidegger, Martin * Adorno, Theodor Wiesengrund * Stevens, Wallace * Beckett, Samuel |
| Sažetak: | Preamble: Travels in nihilon. -(a) Philosophy begins in disappointment. -(b) Pre-Nietzschean nihilism. -(c) Nietzschean nihilism. -(d) Responding to nihlism: five possibilities. -(e) Heidegger's transformation of Nietzschean nihilism. -(f) Heidegger 'contra' Jünger. -(g) Impossible redemption: Adrono on nihilism. -(h) Learning how to die - the argument. -Lecture 1: Il y a. -(a) Reading Blanchot. -(b) How is literature possible?. -(c) Orpheus, or the law of desire. -(d) Blanchot's genealogy of morals: esteriority as desire, exteriority as law. -(e) Il y a - the origin of the artwork. -(i) first slope - Hegel avec Sade. -(ii) second slope - a fate worse than death. -(iii) ambiguity - Blanchot's secret. -(f) The (im)possibility of death - or, how would Blanchot read Blanchot if he were not Blanchot?. -(g) Holding Levinas's hand to Blanchot's fire. -(i) a dying future. -(ii) atheist transcendence. -Lecture 2: Unworking romanticism. -(a) Our naiveté. -(i) Kantian fragmentation. -(ii) deepest naivité - political romanticism. -(iii) Hegel, Schlegel. -(iv) romantic modernity. -(b) Digression I: Imagination as resistance (Wallace Stevens). -(c) Romantic ambiguity. -(i) the fragment. -(ii) wit and irony. -(iii) the non-romantic essence of romanticism. -(d) Cavell's 'romanticism'. -(i) the romanticization of everyday life. -(ii) Emerson as the literary absolute. -(e) Digression II: Why Stanley loves America and why we should too. -(f) Cavell's romanticism. -(i) I live my scepticism. -(ii) Cavell's tragic wisdom. -(iii) finiteness, limitedness. -Lecture 3: Know happiness - on Beckett. -(a) Beckett and philosophical interpretation. -(b) The dredging machine (Derrida). -(c) The meaning of meaninglessness and the paradoxical task of interpretation (Adorno I). -(d) Hope against hope - the elevation of social sriticism to the level of form (Adorno II). -(e) Nothing is funnier than unhappiness - Beckett's laughter (Adorno III). -(f) Storytime, time of death (Molloy, Malone dies). -(g) My old aporetics - the syntax of weakness (The unnameable). -(h) Who speaks? Not I (Blanchot). -(i) No happiness? (Cavell) |
| UDK: | 82.09 : 1 |
| Signatura: | 82.09 CRIT V |
| Inventarni broj: | 06/112 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 8379 |
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| ISBN: | 3-631-39495-0 |
| ISSN: | 1438-2873 |
| Autor: | Žmegač, Viktor |
| Naslov: | Geschichte und Geschichtsphilosophie im modernen Drama |
| Matična publikacija: | Literatur im Zeugenstand : Beiträge zur deutschsprachigen Literatur- und Kulturgeschichte : Festschrift zum 65. Geburtstag von Hubert Orłowski / hrsg. von Edward Bialek, Manfred Durzak und Marek Zybura. - str. 189-204 |
| Impresum: | Frankfurt am Main : Peter Lang : Europäischer Verlag der Wissenschaften, 2002 |
| Ključne riječi: | njemačka književnost * književne studije * povijest * filozofija povijesti * drama * moderna drama |
| UDK: | 821.112.2-2.09 |
| Signatura | GE 821.112.2.09 Ee-331 |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka germanistike |
| MFN: | 3257 |
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| ISBN: | 3-518-38590-9<<1400>> |
| Autor: | Friedrich, Vollhard |
| Naslov: | Philosophische Moderne |
| Matična publikacija: | Brochs theoretisches Werk / hrsg. von Paul Michael Lützeler und Michael Kessler. - str. 85-97 |
| Impresum: | Frankfurt am Main : Suhrkamp, 1988 |
| Ključne riječi: | njemačka književnost * književne studije * teorija književnosti * filozofija * moderna * Broch, Hermann |
| UDK: | 821.112.2.09 |
| Signatura | GE 821.112.2.09 Ee-355 |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka germanistike |
| MFN: | 2891 |
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Upit: UncontrolledTerms_swish=(moderna filozofija - studije ) |